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Celebrity Direct Inc. will help you select, hire and book a performance by Mandy Patinkin at your corporate event, non-profit event or private performance.
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Mandy Patinkin Songs
- “Not While I’m Around”
- “Finishing The Hat”
- “Broadway Baby”
- “Our Time”
- “Over The Rainbow”
- “Where Or When”
- “Anyone Can Whistle
Mandy Patinkin Bio
Mandy Patinkin carved out a varied career onstage, in films, in the recording studio, and on television. Though he was possessed of a flexible tenor voice with a wide range and was known for his bravura performing style, few of his movie appearances made use of his musical ability, and he was more widely known as a dramatic actor on television than anything else. Nevertheless, he was one of the major American musical theater performers of his generation.
Mandy Patinkin first developed an interest in acting and singing while growing up in Chicago. He attended the University of Kansas, then the Juilliard School of Drama in New York City, leaving without a degree when he was able to find enough stage work to turn professional. During the second half of the 1970s, he was closely associated with the New York Shakespeare Festival at the Public Theater, performing in many of the celebrated theater company’s productions, on and off Broadway. He made his film debut in 1978, playing a small part in The Big Fix.
Mandy Patinkin’s first significant appearance in a musical came with the Public Theater’s brief off-Broadway production of Leave It to Beaver Is Dead (March 29, 1979). He got his big break later the same year when he was cast as Che in the Broadway production of Evita (Sep 25, 1979), a role that won him the Tony Award; he was featured on the original Broadway cast album, which sold over a million copies.
In the late ’70s and early ’80s, Mandy Patinkin appeared in a series of non-singing parts in films, gradually gaining more prominent roles: Last Embrace (1979); French Postcards (1979); Night of the Juggler (1980); Ragtime (1981); Daniel (1983); and Yentl (1983). Then he made a triumphant return to the Broadway stage, starring in the musical Sunday in the Park with George (May 2, 1984). He was nominated for another Tony and appeared on the original Broadway cast album, which reached the charts. (In 1986, the show was videotaped and broadcast on the Showtime cable network, later earning release as a home video.) Further, his performance established him as an important interpreter of the music of Stephen Sondheim, Broadway’s most respected songwriter, and he consolidated that status with his appearance in a concert version of Sondheim’s 1971 musical Follies performed and recorded in September 1985; the album reached the charts in 1986.
Though Mandy Patinkin continued to appear in non-singing roles in the movies — Maxie (1985), a particularly memorable performance in the romantic comedy The Princess Bride (1987), Alien Nation (1988), The House on Carroll Street (1988) — his opportunities as a singer increased in the second half of the 1980s. He was contracted for a series of studio cast recordings of Broadway musicals by CBS Masterworks including South Pacific (1986), Man of La Mancha (1990), and Kismet (1991). This association led to his being signed as a recording artist by CBS, which released his debut album Mandy Patinkin, in 1989. He accompanied the release with his own one-man show, Mandy Patinkin in Concert: Dress Casual (July 25, 1989), which opened at the Public Theater and transferred for a limited run on Broadway. His second album, Dress Casual, was released the following year.
Mandy Patinkin got his first chance to sing onscreen with his appearance in Dick Tracy in 1990. Though the film had no formal soundtrack album, Madonna, one of its stars, issued an album of her songs from it, I’m Breathless, on which Patinkin was featured. Released in May 1990, the album went multi-platinum. This was a busy acting time for him, as he had parts in three films released in 1991, True Colors, The Doctor, and Impromptu (the last marking the movie directing debut of James Lapine, the librettist and director of Sunday in the Park with George).
Mandy Patinkin made occasional stage appearances during this period, but he returned to Broadway in a big way with the successful musical The Secret Garden (April 25, 1991), also appearing on the original Broadway cast album. After leaving the show, Mandy Patinkin stayed on Broadway by stepping in as a replacement cast member in the musical Falsettos. By this time, he had become a sufficiently prominent figure in the musical theater to attract not only praise, but also criticism. Fans adored his energetic, committed style, which reminded some of the days of Al Jolson and Ethel Merman. Detractors criticized him for the same tendencies, which they found exaggerated, and Forbidden Broadway, the long-running satiric musical revue, crystallized the charge of hamminess in its Patinkin parody, set to the tune of “Super-cali-fragil-istic-expi-ali-docious” from Mary Poppins, “Super-Frantic, Hyper-Active, Self-Indulgent Mandy” (found on Forbidden Broadway, Vol. 2, 1991).
Patinkin returned to films in Life With Mikey (1993), The Music of Chance (1993), and Squanto: A Warrior’s Tale (1994), and switching to Nonesuch Records, he released his third album, Experiment, in May 1994. But his career entered a new phase when he agreed to a role on a new network television series, playing Dr. Jeffrey Geiger on the hospital drama Chicago Hope, which premiered September 18, 1994. The show was a hit, and Patinkin won an Emmy Award, but he left the program early in its second season largely due to family considerations; now married and having started a family, he was based in New York, while the show filmed in Los Angeles. (He returned to Chicago Hope on an occasional basis, however, even becoming a semi-regular during the 1999-2000 season, the show’s last year on the air.)
Patinkin released his fourth album, Oscar & Steve, a tribute to Oscar Hammerstein II and Stephen Sondheim, in October 1995. His career was slowed by eye trouble in the mid-’90s, and in 1996 he underwent a corneal transplant, enduring a second one in 1998. Nevertheless, he managed to appear in several films, among them Men With Guns (1997), Lulu on the Bridge (1998), and Elmo in Grouchland (1999) (even getting to sing in the last). In February 1998, he released his fifth album, Mamaloshen, which found him singing traditional and other material in Yiddish. He returned to Broadway in the New York Shakespeare Festival’s production of The Wild Party (Apr 13, 2000), which earned him another Tony nomination and an appearance on the original Broadway cast album.
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