Hire The Temptations for Your Event

We Help You Hire, Book and Produce The Temptations Concert Performance

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Hire The Temptations for Your Event

Celebrity Direct Inc. will help you select, hire and book a performance by The Temptations at your corporate event, nonprofit event or private performance.

We are always uniquely positioned as your advocate throughout the hiring process and we won’t let you overpay.

Contact us for availability, price and other production details at:

Tell Us About Your Event

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The Temptations Songs

  • “My Girl”
  • “Get Ready”
  • “Just My Imagination”
  •  “Since I Lost My Baby”
  •  “You’re My Everything”
  •  “I Can’t Get Next to You”
  •  “Ball of Confusion”
  •  “I’m Loosing You”
  •  “Ain’t to Proud to Beg”
  • “Papa Was a Rolling Stone”

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The Temptations Bio

The Temptations, thanks to their fine-tuned choreography — and even finer harmonies, became the definitive male vocal group of the 1960’s; one of Motown’s most elastic acts, they tackled both lush pop and politically charged funk with equal flair, and weathered a steady stream of changes in personnel and consumer tastes with rare dignity and grace. The Temptations’ initial five-man lineup formed in Detroit in 1961 as a merger of two local vocal groups, the Primes and the Distants. Baritone Otis Williams, Elbridge (aka El, or Al) Bryant, and bass vocalist Melvin Franklin were longtime veterans of the Detroit music scene when they joined together in the Distants, who in 1959 recorded the single “Come On” for the local Northern label. Around the same time, the Primes, a trio comprised of tenor Eddie Kendricks, Paul Williams (no relation to Otis), and Kell Osborne, relocated to the Motor City from their native Alabama; they quickly found success locally, and their manager even put together a girl group counterpart dubbed the Primettes. (Later, three of the Primettes — Diana Ross, Mary Wilson and Florence Ballard — formed the Supremes).

In 1961, the Primes disbanded, but not before Otis Williams saw them perform live, where he was impressed both by Kendricks’ vocal prowess and Paul Williams’ choreography skills. Soon, Otis Williams, Paul Williams, Bryant, Franklin, and Kendricks joined together as the Elgins; after a name change to the Temptations, they signed to the Motown subsidiary Miracle, where they released a handful of singles over the ensuing months. Only one, the 1962 effort “Dream Come True,” achieved any commercial success, however, and in 1963, Bryant either resigned or was fired after physically attacking Paul Williams. The Tempts’ fortunes changed dramatically in 1964 when they recruited tenor David Ruffin to replace Bryant; after entering the studio with writer/producer Smokey Robinson, they emerged with the pop smash “The Way You Do the Things You Do,” the first in a series of 37 career Top Ten hits. With Robinson again at the helm, they returned in 1965 with their signature song, “My Girl,” a number one pop and R&B hit; other Top 20 hits that year included “It’s Growing,” “Since I Lost My Baby,” “Don’t Look Back,” and “My Baby.”

In 1966, the Tempts recorded another Robinson hit, “Get Ready,” before forgoing his smooth popcraft for the harder-edged soul of producers Norman Whitfield and Brian Holland. After spotlighting Kendricks on the smash “Ain’t Too Proud to Beg,” the group allowed Ruffin to take control over a string of hits including “Beauty’s Only Skin Deep” and “(I Know) I’m Losing You.” Beginning around 1967, Whitfield assumed full production control, and their records became ever rougher and more muscular, as typified by the 1968 success “I Wish It Would Rain.” After Ruffin failed to appear at a 1968 live performance, the other four Tempts fired him; he was replaced by ex-Contour Dennis Edwards, whose less polished voice adapted perfectly to the psychedelic-influenced soul period the group entered following the success of the single “Cloud Nine.” As the times changed, so did the group, and as the 1960s drew to a close, the Temptations’ music became overtly political; in the wake of “Cloud Nine” — its title a thinly veiled drug allegory — came records like “Run Away Child, Running Wild,” “Psychedelic Shack,” and “Ball of Confusion (That’s What the World Is Today).”

After the chart-topping success of the gossamer ballad “Just My Imagination (Running Away With Me)” in 1971, Kendricks exited for a solo career. Soon, Paul Williams left the group as well; long plagued by alcoholism and other personal demons, he was eventually discovered dead from a self-inflected gunshot on August 17, 1973, at the age of 34. In their stead the remaining trio recruited tenors Damon Harris and Richard Street; after the 1971 hit “Superstar (Remember How You Got Where You Are),” they returned in 1972 with the brilliant number one single “Papa Was a Rolling Stone.” While the Tempts hit the charts regularly throughout 1973 with “Masterpiece,” “Let Your Hair Down,” and “The Plastic Man,” their success as a pop act gradually dwindled as the 1970’s wore on. After Harris exited in 1975 (replaced by tenor Glenn Leonard), the group cut 1976’s The Temptations Do the Temptations, their final album for Motown. With Louis Price taking over for Edwards, they signed to Atlantic, and attempted to reach the disco market with the LPs Bare Back and Hear to Tempt You.

After Edwards returned to the fold (resulting in Price’s hasty exit), the Temptations re-entered the Motown stable, and scored a 1980 hit with “Power.” In 1982, Ruffin and Kendricks returned for Reunion, which also included all five of the current Tempts; a tour followed, but problems with Motown, as well as personal differences, cut Ruffin’s and Kendricks’ tenures short. In the years that followed, the Temptations continued touring and recording, although by the 1990s they were essentially an oldies act; only Otis Williams, who published his autobiography in 1988, remained from the original lineup. The intervening years were marked by tragedy: after touring in the late ’80s with Kendricks and Edwards as a member of the “Tribute to the Temptations” package tour, Ruffin died on June 1, 1991, after overdosing on cocaine; he was 50 years old. On October 5, 1992, Kendricks died at the age of 52 of lung cancer, and on February 23, 1995, 52-year-old Franklin passed away after suffering a brain seizure. In 1998, the Temptations returned with Phoenix Rising; that same year, their story was also the subject of a well-received NBC television miniseries. Ear-Resistible followed in the spring of 2000.

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How do I hire The Temptations for a private event, corporate event, nonprofit gala or convention?

To hire The Temptations for a private or corporate performance, the event buyer must first determine whether the artist is available and interested in the proposed engagement and then submit an offer through the appropriate authorized representative. The offer typically includes the event date and location, type of event, proposed performance format and fee.

Celebrity Direct represents event buyers throughout this process, including availability inquiries, offer strategy, negotiation, contracting, rider review and production coordination.

How much does it cost to hire The Temptations for a private or corporate event?

There is no single published fee to hire The Temptations for a private or corporate event. The performance fee is negotiated for the specific engagement and can vary based on the date, location, event type, performance format, travel requirements, current touring activity and other circumstances surrounding the event.

Celebrity Direct can obtain current availability and pricing from the appropriate artist representative for a specific event.

What total budget should I expect when hiring The Temptations?

The total cost of presenting The Temptations can be higher than the negotiated artist performance fee. Depending on the engagement, additional expenses can include airfare or private aviation, hotels, local transportation, sound, lighting, staging, backline, labor, hospitality and other requirements contained in the artist’s rider.

For this reason, event buyers should evaluate the all-in cost of the performance, not simply the artist fee, before making an offer.

How can I find out if The Temptations is available for my event date?

The Temptations’ availability for a private or corporate event must be confirmed through the appropriate authorized representative. Availability can depend on touring and recording commitments, personal scheduling, event location, travel requirements and whether the artist is interested in the particular engagement.

Celebrity Direct can submit the event details, check availability and determine whether an offer is appropriate.

How do I contact The Temptations’ booking agent about a private performance?

A corporate, nonprofit or private-event buyer generally does not need to locate The Temptations’ booking agent personally. An experienced talent buyer can identify the appropriate authorized representative, present the event professionally and manage the inquiry and offer process on the buyer’s behalf.

Celebrity Direct handles this process for its clients and represents the event buyer rather than the artist.

How do I contact The Temptations’ manager about hiring them for an event?

Artist management is not necessarily the appropriate first contact for negotiating a private performance. Celebrity engagements are generally handled through the artist’s authorized booking representation, management or another designated representative depending on the circumstances.

Celebrity Direct determines the appropriate contact for the proposed engagement and handles the communication and negotiation for the event buyer.

Will The Temptations perform at a corporate event, convention, nonprofit gala or private party?

Whether The Temptations will consider a particular private or corporate performance depends on their availability, the nature and location of the event, the proposed performance, the financial offer and artist approval. Celebrity artists are not simply available for every event at a published price.

A legitimate inquiry should therefore include enough information about the event for the artist’s representatives to evaluate the opportunity.

What information do I need before asking about hiring The Temptations?

Before requesting availability or pricing for The Temptations, an event buyer should ideally know the event date, city and venue, type of event, expected attendance, desired performance format and approximate entertainment budget.

Providing these details allows the artist’s representatives to evaluate the engagement and allows an experienced talent buyer to recommend the most effective offer strategy.

Does the quoted artist fee include travel and production?

Usually, the artist’s performance fee should not be assumed to represent the complete cost of the engagement. Travel, hotels, ground transportation, production, equipment, labor and hospitality requirements may be additional obligations of the buyer depending on the negotiated contract and rider.

The contract and rider should be reviewed before the event buyer determines the final entertainment budget.

Can Celebrity Direct handle the complete The Temptations booking and production process?

Celebrity Direct can represent the event buyer throughout a celebrity entertainment engagement, including determining availability, developing the offer, negotiating with the artist’s authorized representative, reviewing contracts and riders, coordinating production requirements and assisting with the performance through event day.

Unlike an artist’s agent or manager, Celebrity Direct works on the buyer’s side of the transaction, helping the event planner understand the financial, contractual and production obligations involved in presenting celebrity talent.

The Celebrity Booking Process

How Do I Hire a Celebrity for a Corporate or Private Event?
Submit a request

Submit our website form. We’ll ask you to provide a few key event details and budget goals

Consultation call 

We’ll schedule a call to discuss your event goals, offering our expert guidance on expectations

Talent Curation

We Identify a shortlist of available talent, factoring in tour schedules, to ensure accurate recommendations

Narrow it Down

We’ll help you rank and narrow down your top 3 priority picks

The Firm Offer

We craft a formal offer and present it to the Artist

Contract + Deposit

If the offer is accepted, we issue your agreement. If declined, we move to your next preferred choice.

Why Work With Us

Not Just a Booking. A Full-Scale Production.
Booking a celebrity is only part of the equation. We build the entire experience around it.
We handle:
  • Artist negotiation and contracting
  • All production: staging, lighting, sound, technical riders
  • Event logistics and show advancement
  • VIP coordinators, security, and confidentiality
You get:
  • A seasoned producer and booking advisor in one
  • A direct line to the decision-makers behind the artist
  • A one-stop solution from inquiry to showtime
  • Peace of mind knowing every detail is managed

Turn Our Expertise Into Your Dream Event

  • This field is for validation purposes and should be left unchanged.
  • We welcome all requests for proposals and we understand that not everyone knows the various costs involved when booking celebrity talent. We know some ideas will not be realistic but surprisingly, others will be.

    The important thing is to let us know your thoughts and desired outcome and we'll do the necessary work for you. You'll receive a response with suggested talent, costs, availability, other similar talent choices and our commitment to stand by our service until the last note is played!

    NOTE: Celebrity Direct Inc. is a celebrity booking agency for paid events only. We do not handle media requests, song license requests, music collaboration requests, donation requests, interview requests and we never provide celebrity contact information.